What to Watch: A magical bathhouse, universe hopping and hot hooker problems

What to Watch: A magical bathhouse, universe hopping and hot hooker problems

Insomnia

Stepping out on a movie date this weekend? Netflix and chillin? Whatever your entertainment needs, we got your back (and hopefully your mind) with Queerty’s weekly “Culture Club” column with some of the highlights of new releases, streaming shows, classics worth revisiting, and what to drink while you watch.

The Step Out: I’m Gonna Make You Love Me

A plot description of I’m Gonna Make you Love Me makes it sound like the most anti-transgender movie since Sleepaway Camp: a man transitions to womanhood, then back to being a man again. In reality, the new documentary by director Karen Bernstein instead paints a portrait of homophobia at its most savage: Brian, the subject of the film, spent years thinking he was a woman because he couldn’t accept himself as a gay man, and because he saw more career opportunities as a woman. Only the dysphoria he experienced as a woman forced him to reexamine his own gender. I’m Gonna Make You Love Me will dumbfound people inside and outside the queer community with its bizarre story, which somehow manages to be hilarious and heartbreaking at the same time.

Premieres in New York November 7. Additional rollout to follow in select theatres.

The Catch: His Dark Materials

Fantasy doesn’t get much better than His Dark Materials, the HBO adaptation of the popular novel trilogy by Phillip Pullman. The story…well, it’s hard to explain. In part, it focuses on a young orphan girl named Lyra (Dafne Keen, of Logan) who uncovers a sinister conspiracy when several of her friends go missing. Lyra herself becomes the target of a Vatican-like organization known as the Magisterium after she discovers her abducted friends are somehow linked to exploration of parallel universes. It’s that kind of series.

His Dark Materials features beautiful production design and fine performances, led by young Keen. Ruth Wilson, James McAvoy and Lin-Manuel Miranda also star. Though at first glance, His Dark Materials might not seem to have much in the way of queer content, trust us. We’ve read the books. When the gay angels show up ready to battle…well, again, we don’t want to give too much away. But yes, it’s that kind of show.

Airs Mondays on HBO. Also streams on HBO Go.

The Grab: Spirited Away

Speaking of fantasy, another masterpiece from animator Hayao Miyazaki gets the special edition Blu-Ray treatment, courtesy of the cinephiles at Shout Factory. This new edition features a special edition of the soundtrack as well, along with a special booklet featuring concept, behind the scenes anecdotes and articles by leading film critics like Leonard Maltin. The story itself follows a young girl named Chihiro who becomes captured by a witch and forced to work in her bathhouse (no, not that kind of bathhouse). It’s a fairy tale coming-of-age story, one in which Chihiro must ultimately decide the kind of person she wants to be. Queer audiences will, no doubt, identify with subplots about forbidden love and finding the authentic self. All audiences will be enchanted by its animation and nuanced storytelling.

Available from Shout Factory November 12.

The Nibbles: Insomnia

A reader tipped us off to this new, limited web series from writer/star Vishaal Reddy. Insomnia follows a bisexual writer turned hooker named Nikhil, an Indian-American man depressed by the state of his life. Who wouldn’t be? Prostitution tends in impede on Nikhil’s dating life, as does his emotionally manipulative aunt. Despite the existential dread the premise suggests, Insomnia finds a hearty dose of laughs and sexuality to keep things entertaining, and Reddy injects Nikhil with enough charm and vulnerability to keep him relatable, even at his most neurotic.

Streams free on YouTube.

The Local: The Great Leap

Out actor BD Wong (Law & Order: SVU, Jurassic World) plops into the director’s chair for this drama at the Pasadena Playhouse. The Great Leap concerns a Chinese-American culture clash as embodied by a basketball game. A pair of coaches—one Chinese, one American—who reunite after years apart on the eve of a China vs. America game. As the pressures to win mount, both men examine their own life choices and the cultural norms that helped shape them. Wong created the role of one of the coaches in the original Broadway production (in which he earned glowing reviews, as per usual), thus his coaching of the new cast represents a homecoming of sorts.

Runs November 6-December 1 at the Pasadena Playhouse.

The Read: A Song For You

Robin Crawford, long rumored as the lesbian lover of musical icon Whitney Houston, finally speaks in this much-anticipated memoir. First things first: Crawford does confirm that she had a romantic sexual relationship with Houston until industry pressures—not to mention Houston’s beast of a mom, Cissy—drove the pair apart. Crawford also spills the T on Houston’s drug use, her marriage to Bobby Brown (with whom Crawford often clashed) and all the other behind-the-scenes craziness that led to Houston’s untimely death in 2012. Far from a gossip rag, A Song For You is a burning candle for a lost love…one which so many of us share.

Available in bookstores November 8.

The Sip: Black Russian

With the flavor of dark materials still in our mouths, this week we also suggest a cocktail of dark materials for sipping pleasure. The black Russian infuses the taste of coffee with vodka for a savory and delicious drink. That’s great for dessert. As a variation, add a bit of whipped cream or ice cream for extra flavor.

  • 1.5 ounces vodka
  • 3/4 ounce Kahlua, or other coffee-flavored liqueur

Mix over ice in a glass. Stir well. 

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#AM_Equality Tipsheet: November 7, 2019

#AM_Equality Tipsheet: November 7, 2019

TODAY AT NOON — PRESS CALL TO DISCUSS HISTORIC ELECTORAL VICTORY IN VIRGINIA: Leaders from HRC, EMILY’s List, League of Conservation Voters, Giffords, Democratic Legislative Campaign Committee and Sister District will discuss their investments in Virginia, how their work was instrumental to Democrats gaining control of the state legislature and what these victories mean for the 2020 election cycle. Reporters interested in joining can RSVP for the call-in line, click here.

  • This week’s election results sent a powerful message that Virginians support a bold, progressive vision for the future of the Commonwealth. More from Metro Weekly.
  • More than 80 LGBTQ candidates won election or reelection on Tuesday. More from NBC.

THANKFUL THURSDAY — FEDERAL COURT STRIKES DOWN TRUMP “REFUSAL OF CARE”: Religious freedom is a fundamental American value and so is the belief that no one should face discrimination because of who they are or whom they love. More from National Women’s Law Center and Washington Blade.

Today we won our court battle against the Trump administration’s discriminatory rule that would have allowed health care workers’ personal beliefs to dictate patient care. Today we celebrate, but our fight to #PutPatientsFirst isn’t over.

Read more: t.co/MsoqO6O2P0 pic.twitter.com/ejzhiecU40

— National Women’s Law Center (@nwlc) November 6, 2019

THE COMPANY YOU KEEP… TRUMP HIRES FORMER FLORIDA AG PAM BONDI, REPORTEDLY TO HANDLE IMPEACHMENT STRATEGY: Bondi was named “Loser of the Year” by the Tampa Bay Times in 2014 for her crusade against marriage equality, which cost Florida taxpayers more than $500,000. And her anti-LGBTQ record was on full display during an interview with CNN’s Anderson Cooper in the wake of the Pulse nightclub tragedy in Orlando. More from The Wall Street Journal.

1/ Pam Bondi, who has one of the most anti-equality records of any state attorney general in recent history, makes clear that being anti-LGBTQ is not a dealbreaker for the Trump-Pence administration. t.co/DkhdefpVhF

— Human Rights Campaign (@HRC) November 7, 2019

STUDY FINDS LGBTQ SOUTHERNERS NEED BETTER ACCESS TO AFFIRMING HEALTH CARE: The Campaign for Southern Equality and Western NC Community Health Services found that nearly half of all transgender respondents have to educate their health care provider on their needs. The survey also found that the bi+ community experiences far worse mental health experiences compared to their gay, lesbian or straight peers. More from BuzzFeed.

T-MOBILE TO ALLOW RETAIL STAFF TO ADD PRONOUNS TO THEIR NAME BADGES: More from Bloomberg.

GLOBAL EQUALITY NEWS

SISTAAZHOOD, A NETWORK OF TRANS WOMEN IN SOUTH AFRICA, FIGHTS FOR RECOGNITION AND ACCESS TO SERVICES: The group is profiled in Reuters.

 READING RAINBOW – Bookmark now to read on your lunch break!

The Advocate profiles Johnson Chong, a gay son of Chinese refugees who teaches yoga to instill self-love and resiliance; Dallas Voice celebrates Equality Texas’ 30th birthday!

Have news? Send us your news and tips at [email protected]. Click here to subscribe to #AM_Equality and follow @HRC for all the latest news. Thanks for reading!

www.hrc.org/blog/am-equality-tipsheet-november-7-2019?utm_source=rss&utm_medium=rss-feed

GLAAD’s ‘Where We Are on TV’ report shows TV is telling more LGBTQ stories than ever

GLAAD’s ‘Where We Are on TV’ report shows TV is telling more LGBTQ stories than ever

GLAAD

This morning, GLAAD released its annual Where We Are on TV report; a comprehensive forecast of the lesbian, gay, bisexual, transgender, and/or queer (LGBTQ) characters expected in primetime scripted programming in the 2019-20 television season. This is the 24th year GLAAD has tracked the presence of LGBTQ characters on broadcast and cable television, and the 15th Where We Are on TV report. Four years ago, GLAAD expanded its count to additionally quantify LGBTQ characters on original series that premiere on the streaming content providers Amazon, Hulu, and Netflix.

Of the 879 series regular characters expected to appear on broadcast primetime scripted programming in the coming year, 90 (10.2 percent) were counted as LGBTQ. This is the highest percentage of LGBTQ regular characters GLAAD has counted on primetime scripted broadcast programming, and up from the previous year’s 8.8 percent. Last year, GLAAD called on the broadcast networks to ensure that 10 percent of primetime broadcast scripted series regulars were LGBTQ by 2020. In just one year, the networks met and exceeded this call.

 

VIEW THE FULL REPORT HERE

 

There were an additional 30 recurring LGBTQ characters on broadcast. This is 120 total LGBTQ regular and recurring characters on primetime scripted broadcast TV, up from the previous year’s 113. The five broadcast networks are ABC, CBS, The CW, FOX, and NBC. The CW counts the highest percentage of LGBTQ series regulars of all series regulars at 15.4 percent.

Notably for the first time this year, LGBTQ women on primetime broadcast scripted series outnumber LGBTQ men on those programs. Of the 120 LGBTQ characters on broadcast, 53 percent are women and 47 percent are men. There is one non-binary character on broadcast. Additionally, this is the second year in a row on broadcast where LGBTQ people of color outnumber white LGBTQ people, 52 percent to 48 percent.

GLAAD is calling on the industry to make sure that 20 percent of series regular characters on primetime scripted broadcast series are LGBTQ by 2025. Further, we would challenge all platforms – broadcast, cable, and streaming – that within the next two years, at least half of LGBTQ characters on each platform are also people of color. This is an important next step towards ensuring that our entertainment reflects the world in which it is created and the audience consuming it.

GLAAD and Harris Poll’s Accelerating Acceptance study shows that 20 percent of Americans aged 18-34 are LGBTQ. And this applies across demographics – the General Social Survey from NORC at the University of Chicago this summer found that 23 percent of Black women in America 18-34 identify as bisexual, and the University’s GenForward survey reports that 1 in 5 Latinx Millennials are LGBTQ.

“Last year, GLAAD called on the television industry to increase the number of LGBTQ characters and more accurately reflect the world we live in, and they responded by exceeding this challenge,” said Sarah Kate Ellis, President & CEO of GLAAD. “At a time when the cultural climate is growing increasingly divisive, increased representation of LGBTQ stories and characters on television is especially critical to advance LGBTQ acceptance. Shows like Pose, Schitt’s Creek, Batwoman, and Billions demonstrate that not only are LGBTQ stories and characters on TV becoming more diverse, but that viewers everywhere continue to respond with extreme positivity.”

The number of LGBTQ regular characters counted on cable increased from 120 last year to 121 this year, while recurring LGBTQ characters is up from 88 to 94. This is 215 regular and recurring LGBTQ characters, though it should be noted that 48 of these characters are not expected to return for the 2020-21 season due to series cancellations, announced finales, or characters being written off but who appeared as a regular or recurring character during the research period.

On cable, Showtime is the most LGBTQ-inclusive network with 38 regular and recurring LGBTQ characters expected on the network’s primetime scripted series. The majority of those characters will appear on the upcoming The L Word: Generation Q. FX is next at 31 LGBTQ characters, and Freeform following with 26. These three networks together account for 44 percent (95 characters) of all LGBTQ representation in primetime scripted cable, and 15 of the 20 transgender characters (75 percent) on cable.

On scripted streaming originals on Amazon, Hulu, and Netflix, LGBTQ regular characters are up with 109 (from 75) and an additional 44 recurring. This is 153 total LGBTQ characters expected on scripted streaming originals.

The number of transgender characters is up this year, from 26 to 38 characters across broadcast, cable, and streaming. Of those 38 characters, 21 are transgender women, 12 are transgender men, and five are non-binary characters. This reporting season also notes a historic first: Brian Michael Smith has become the first Black transgender man to be cast as a series regular in primetime scripted broadcast for his role on the upcoming 9-1-1: Lone Star. His character, firefighter Paul Strickland, will also be primetime scripted broadcast TV’s first series regular Black trans man character.

While the number of bisexual+ characters totaled across broadcast, cable, and streaming is slightly up this year (to 128 from 117), the overall percentage actually dropped one point to 26 percent of the total 488 LGBTQ characters. GLAAD counted 90 women, 36 men, and two non-binary people as bisexual+. Bisexual+ people (an umbrella term which can include those who identify as bisexual, pansexual, fluid, queer, and more) actually make up the majority of the community. UCLA’s Williams Institute reports that bisexual people make up 52 percent of lesbian, gay, and bisexual people in America.

There is only one asexual character counted in this year’s report, Todd Chavez on Netflix’s BoJack Horseman. The show will air its final episodes within this reporting season, so we hope to see other networks and streaming services step up in this area.

Other encouraging findings include a record-high percentage of series regulars on broadcast television who are people of color (47 percent, 409 out of 879), a record-high percentage of women who are series regulars on broadcast television (46 percent, 402 of 879), as well as a record-high percentage of regular characters with disabilities on broadcast television (3.1 percent).

“This year’s Where We Are on TV study found great progress towards a more LGBTQ-inclusive television landscape, and highlighted welcome increases of transgender men and queer women in upcoming programing,” said Megan Townsend, Director of Entertainment Research & Analysis at GLAAD. “However, it is also important to note that there is still work to be done. On cable TV, just three networks account for 44 percent of all LGBTQ representation on primetime scripted series. Similarly, programming from four dedicated producers and creators who prioritize inclusion, Greg Berlanti, Lena Waithe, Ryan Murphy, and Shonda Rhimes, accounts for 14 percent of total LGBTQ characters across broadcast, cable, and streaming originals. We hope to see all networks follow their lead, and work towards reflecting the reality of their audience and the culture.”

Key findings include:

  • The report found a record-high percentage of Latinx series regulars (up to 9% from 8%), as well as a record-tying number of Black (held steady at 22%), and Asian Pacific Islander series regulars (held steady at 8%) across broadcast television regular characters.
  • Of the 879 series regular characters scheduled to appear on broadcast scripted primetime television this season, 90 (10.2%) are LGBTQ. There are an additional 30 LGBTQ recurring characters.
  • Of the 488 total regular and recurring LGBTQ characters on scripted primetime broadcast, cable, and streaming programs, only 38 (8%) are transgender, and they appear on only 28 shows.
  • Bisexual+ characters make up 26% of all LGBTQ characters across all three platforms. This is a one percent decrease from last year, and far from the reality that bisexual+ people make up the majority of the community.
  • Netflix again counts the highest number of LGBTQ regular and recurring characters on their scripted originals among streaming services tallied, while Showtime is the most LGBTQ-inclusive network on cable. The CW is again the most LGBTQ-inclusive broadcast network, with 15.4% of series regulars counted as LGBTQ.
  • GLAAD found 109 regular LGBTQ characters on original scripted series on the streaming services Amazon, Hulu, and Netflix, an increase of 34 from last year’s tally. There are an additional 44 recurring LGBTQ characters, an increase of seven from last year. This is a total of 153 LGBTQ characters.
  • GLAAD found 121 regular LGBTQ characters on primetime scripted cable series, an increase of one from the previous year. There are an additional 94 reccuring LGBTQ characters, up from 88 in last year’s report. This is 215 regular and recurring LGBTQ characters expected on primetime scripted cable series.
  • Broadcast hits a new record high percentage: 46% of regular characters counted on broadcast primetime television were women. This is up three percentage points from last year and a record high, but still underrepresents the reality that women make up 51% of the U.S. population.
  • This year, there is only one asexual character counted across all platforms, (Todd Chavez on Netflix’s BoJack Horseman). This is a drop from two asexual characters last year.
  • The percentage of regular characters with a disability on broadcast is up to 27 characters or 3.1 percent. This is the highest percentage GLAAD has found, but still falls short of the U.S. population of people with disabilities.

GLAAD’s annual Where We Are On TV report not only propels national conversations about LGBTQ representation, but informs GLAAD’s own advocacy within the television industry. GLAAD uses this yearly data to create a clearer picture of the stories and images being presented by television networks, and to work alongside the networks and content creators to tell fair, accurate, and inclusive LGBTQ stories on screen.

Join the conversation by following @glaad on Twitter, and using the hashtag #RepresentationMatters. Read the full 2019-20 Where We Are on TV report at glaad.org/whereweareontv.

November 7, 2019

www.glaad.org/blog/glaads-where-we-are-tv-report-shows-tv-telling-more-lgbtq-stories-ever

Chris Evans, Paul Rudd, and a Bunch of Lesbians Join Billy Eichner to Accost Unwitting New Yorkers: WATCH

Chris Evans, Paul Rudd, and a Bunch of Lesbians Join Billy Eichner to Accost Unwitting New Yorkers: WATCH

Captain America Chris Evans joined Billy Eichner for a new edition of Billy on the Street (now on Netflix) to celebrate the show’s 15th anniversary, and pretty person Paul Rudd showed up to put Evans in his place.

The post Chris Evans, Paul Rudd, and a Bunch of Lesbians Join Billy Eichner to Accost Unwitting New Yorkers: WATCH appeared first on Towleroad Gay News.


Chris Evans, Paul Rudd, and a Bunch of Lesbians Join Billy Eichner to Accost Unwitting New Yorkers: WATCH