The world needs a gay superhero more than ever, and it’s about to get one

The world needs a gay superhero more than ever, and it’s about to get one

I grew up yearning for superheroes.

At 8, my dad took me to the cinema to watch Batman battle the Joker on the big screen, and I was hooked. The mystery. The cunning. The brilliant mind and body that wouldn’t quit no matter the odds. The cool car. The existential torment.

I consumed an animated version of X-Men every Saturday morning in the living room. The X-Men were all unique, but they worked as a team. They were the built-in group of friends I didn’t always have at school. I also understood their persecution.

These experiences, etched in memory, helped me begin to devise a moral compass and guided my own budding code of ethics.

As I reached my teenage years and recognized my attraction to other men, I came to relate to superheroes in a different way: Like many of them, I fought to keep my identity secret to help protect both myself and those I loved from the forces of darkness and prejudice and even violence. One day, I knew I would defeat the forces of evil that kept me down.

But no matter how much I admired superheroes, I knew I could never be one. Because every tights- or armor-clad hero—male or female—was different than me in one crucial way: They were straight.

Today, something impossible has happened, something that this closeted kid eating buttered popcorn and watching Superman swoop over Metropolis could not have dreamed. This October, a queer superhero comes to television with her own series on The CW—Batwoman, the first-ever explicitly queer female superhero to hit the screen.

Starring Australian stunner Ruby Rose (of Orange Is the New Black, John Wick, and The Meg fame) as Kate Kane—a cousin of Bruce Wayne fighting both her own demons and evildoers on the streets of Gotham—The CW series will air on Sunday nights beginning October 6.

Finally, LGBTQ people have pushback against the age-old cinematic trope of the queer villain, giving audiences a character we can really root for 100 percent.

And yet amid that anticipation and the joy of knowing that queer kids everywhere will have one of their own in the spotlight, a question plagues me. What if I’d had a queer superhero to look up to growing up? What if, at an early age, I learned that I could be gay and still be the best, strongest, most caring and respected person, the guy/girl who swoops in to save the day?

Whether symbolizing truth and honor like the Justice League or daring to live authentically like the X-Men, superheroes represent society’s saviors and the saints. Audiences flock to superhero blockbusters to partake in the battle between good and evil.

And we don’t want to simply spend a couple of hours in a darkened theater with our favorite characters. Deep down, we want to be like them in everyday life. Wearing a Wonder Woman tee or a Superman emblem on a tie doesn’t just make a fashion statement. It says This is who I aspire to be like. I want to make the world better.

Who hasn’t wanted to teleport or swing from building to building to save citizens in peril, or maybe just avoid traffic? Who hasn’t wanted to save a queer kid, or innocent immigrants for that matter, from being bullied or abused? Who hasn’t secretly yearned for the power to stop a war?

Seeing only cis-gendered, white, straight superheroes as I was growing never stopped me from loving them or rooting for them. Their heroism demanded my empathy even when I didn’t see myself reflected. Yet, now as an adult, I realize what a difference seeing a gay hero would have made not just to me, but to the rest of the worldwide audience.

Straight kids would have learned to empathize with—and root for—a queer person. Even if queerness was presented incidentally, viewers would develop some idea of what it means to be LGBTQ. Imagine the effect a gay Iron Man or a trans Spiderman would have on homophobia or transphobia. Imagine a vulnerable kid witnessing an audience cheering on a queer hero and realizing: Maybe one day, they will cheer me on too. 

The cinematic landscape of 2019 has changed so much from the one I grew up during the ’80s and ’90s. Girls have Wonder Woman. African-Americans rejoice in Black Panther, a vision of a black man as a figure of hope and glory. Now, thanks to Batwoman, queer kids—young and old—can behold a vision of an androgynous lesbian heroine, bound and determined to save the world from those who would do harm.

Soon, audiences will be rooting for a gay woman to capture the villain and snag that kiss from the girl. Batwoman’s sacrifices define who she is and present her as a role model to the world, someone who represents not just the best of a community, but the best of all. We, too, can save the world.

One day, in the not so distant future, we may depend on it.

Batwoman airs on The CW Sunday nights beginning October 6.

Check out the First Look Trailer:

David Reddish is Queerty’s entertainment editor.

All photos compliments of The CW.

www.queerty.com/world-needs-gay-superhero-ever-get-one-20191003?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+queerty2+%28Queerty%29

Christine and the Queens Calls Out Taylor Swift for Exploiting Queer Culture to Sell Things

Christine and the Queens Calls Out Taylor Swift for Exploiting Queer Culture to Sell Things

Christine and The Queens “Comme si”.

Christine and the Queens (aka Héloïse Letissier) accuses Taylor Swift of appropriating queer culture “to sell things” in a new interview with Cosmopolitan.

Said Chris of Swift’s “You Need to Calm Down” video: “I’m conflicted. I guess somewhere, young gay men might watch that Taylor Swift video and feel a sense of relief. Five years on [since she entered the industry] and you can tell that being queer has been glossed out as this super-fancy accessory. You can tell that the queer aesthetic is being used to sell things. The mainstream needs that life because it’s so vibrant. But I think the core of the queer aesthetic cannot be sold.”

Chris, who identifies as pansexual, said she has been accused of the same thing: “When I changed my name from Christine to Chris on the second album, some people said, ‘That’s a cool marketing thing you did.’ It was so painful. I’ve been singing iT [an early song, which she’s said is about ‘wanting to have a dick in order to have an easy life’] for the past five years. It’s never been marketing for me. It’s about jumping into the unknown and saying things loudly.”

The post Christine and the Queens Calls Out Taylor Swift for Exploiting Queer Culture to Sell Things appeared first on Towleroad Gay News.


Christine and the Queens Calls Out Taylor Swift for Exploiting Queer Culture to Sell Things

GLAAD and The Black List announce second annual GLAAD List and issue a call for submissions

GLAAD and The Black List announce second annual GLAAD List and issue a call for submissions

glaad-the-black-list

GLAAD, The Black List

Four of Ten LGBTQ-Inclusive Scripts from the Inaugural List have been Optioned

In January 2019, as Deadline reported, GLAAD, the world’s largest LGBTQ media advocacy organization, in partnership with The Black List, an annual survey of Hollywood executives’ favorite unproduced screenplays, announced the creation of The GLAAD List, a curated list of the most promising unmade LGBTQ-inclusive scripts in Hollywood that have been hosted on blcklst.com or were included on the 2018 year-end annual Black List.

Today, the two organizations announced that the second annual GLAAD List will be unveiled at the Sundance Film Festival in January 2020, the same location from which the inaugural GLAAD List was launched earlier this year. The Black List and GLAAD issued a call for submissions for LGBTQ-inclusive scripts from screenwriters. Writers, filmmakers, and creators can submit a script for consideration by uploading it to The Black List website before November 5th. More information on how to upload scripts here.

GLAAD today also announced that since releasing the inaugural GLAAD List in January 2019, 4 of the 10 scripts from the first year have been optioned, with one (Queen) currently being fast-tracked into production. See the inaugural “GLAAD List” here.

The GLAAD List 2019

More information on submitting to the 2020 GLAAD List can be found here:

“GLAAD is thrilled to be partnering with The Black List for a second year on The GLAAD List and as they continue to be a leader in elevating all marginalized voices in the film industry,” said Jeremy Blacklow, GLAAD’s Director of Entertainment Media.

“The scripts on The GLAAD List represent LGBTQ stories that studios should consider,” Blacklow continued. “With the proper attention, and with the collaboration of the right directors and actors, the scripts on the list show tremendous promise and should one day become films that will both entertain audiences and change hearts and minds around the world.”

“The Black List is honored to be making a return engagement with GLAAD to shine a spotlight on brilliant LGBTQ-inclusive scripts hosted on the Black List and beyond. There are so many stories to be told. As a GLAAD partner, I’m thrilled to be a part in helping find them. As a future audience member, I’m even more thrilled to get to see them,” said Franklin Leonard, creator of The Black List.

Several of the authors honored on the 2019 GLAAD List have shared updates on activity surrounding their scripts since they appeared on the inaugural list.

Paragraph 175 was recently optioned by Relentless Lane Productions, and I was hired by Bee Holder Productions to write a script with a unique gay love story at is core; Bee Holder is currently searching for a bold director,” said Paragraph 175 author Diane Hanks. “I’ve been writing since grad school, but Paragraph 175 is the script I’m most proud of.”

“We are so grateful for the enormous honor and blessing it has been to be a part of the GLAAD List,” said Dave Carlson and Cedar Miller, the authors of Trouble Man. “The connections we’ve made as a result of this opportunity may prove to be game-changing. With the weight of GLAAD behind our story, we’ve managed to get it into the hands of giants.”

Since the creation of The GLAAD List, The Black List has gone on to similarly partner with The Coalition of Asian Pacifics in Entertainment to create The CAPE List and The Latin Tracking Board, Mijente, NALIP, The Nathan Cummings Foundation, Remezcla and UnidosUS to create The Latinx List.

Scripts, provided by The Black List, are evaluated by GLAAD using the following criteria:

1.   Fair, accurate and inclusive LGBTQ representation
2.   Boldness and originality of the content
3.   Potential impact of the media project
4.   Overall quality of the written project
5.   Passes GLAAD’s Vito Russo Test*

*To pass the Vito Russo Test, the following must be true:

  • The film contains a character that is identifiably LGBTQ
  • That character must not be solely or predominantly defined by their sexual orientation or gender identity (i.e. the character is comprised of the same sort of unique character traits commonly used to differentiate straight/non-transgender characters from one another).
  • The LGBTQ character must be tied into the plot in such a way that their removal would have a significant effect. Meaning they are not there to simply provide colorful commentary, paint urban authenticity, or (perhaps most commonly) set up a punchline. The character should matter.

Unlike The Black List, an annual survey of Hollywood executives’ favorite unproduced screenplays, The GLAAD List is curated based on a pool of the highest-rated scripts provided by The Black List which feature LGBTQ characters. A script may remain active on The Black List and The GLAAD List up until the first frame has been shot during production.

The Black List website is a two-sided marketplace where screenwriters can upload their scripts for a monthly fee and make them available to industry members. They may additionally purchase evaluations completed by professional readers. The website also serves as a database where the industry can discover original feature film and pilot scripts.

October 3, 2019

www.glaad.org/blog/glaad-and-black-list-announce-second-annual-glaad-list-and-issue-call-submissions