Online Sensation Benito Skinner Teams Up with Sally Hansen to Promote Pride Collection in Support of GLAAD
Credit: Sally Hansen
YouTube and Instagram personality Benito Skinner has teamed up with iconic beauty brand Sally Hansen to promote the company’s first ever pride collection. Sally Hansen’s limited edition collection features six bold shades that represent the Pride rainbow—a global symbol of LGBTQ awareness and acceptance.
Following his start on YouTube in 2016, Skinner – who goes by the online name BennyDrama – has become an online sensation known for his hilarious sketches and parodies related to pop culture. To date, Skinner has accumulated over 560,000 Instagram followers and over 130,000 YouTube subscribers.
Check out a video from Skinner’s campaign with Sally Hansen below.
In honor of Pride Month, Sally Hansen’s first ever pride collection will partner with retailers like Ulta, to offer limited-edition packaging, exclusive gift sets, and dedicated, colorful in-store displays for Pride month to promote LGBTQ acceptance.
In addition to partnering with GLAAD to promote this collection, Sally Hansen has made a monetary donation to GLAAD’s culture-changing work to accelerate LGBTQ acceptance and create a world where everyone is able to express themselves freely.
“We are so honored to partner with GLAAD on this meaningful, limited edition nail color collection and support their important work”, says Celia Tombalakian, Vice President of Sally Hansen Global & US Marketing. “Inspired by the rainbow, our six curated shades will allow consumers to celebrate and playfully show their PRIDE from the tips of their fingers to their toes.”
Available at Ulta and Walgreens, Sally Hansen’s PRIDE COLLECTION is sold for $2.99 per bottle, and will also be featured in a special PRIDE COLLECTION gift set exclusive to Ulta Beauty. The set, $16.99, features the entire rainbow of PRIDE COLLECTION shades. Click here to shop for the collection.
‘Tales of the City’ star Garcia on Ellen Page, Olympia Dukakis and playing trans
Garcia
“I just turned 23 in October, so I’m a Scorpio. Proudly.”
Garcia (who uses a single name, like Madonna) utters the words in characteristic soft-spoken timbre. The trans-non-binary actor is in the final push to promote their screen debut: the Netflix revival of Tales of the City coming June 7.
In the revival, Garcia plays Jake, a transgender man living in the iconic apartment building at 28 Barbary Lane under the watchful eyes of transgender stoner hippie Anna Madrigal (played by Olympia Dukakis, reprising her original role after 25 years). Over the course of the season, Jake struggles with the final steps of his transition, his crumbling relationship to longtime girlfriend Margot (May Hong) and rejection from his family.
Garcia landed the role while studying at New York University, where they just completed another semester.
We chatted with Garcia about their character, the pressures of joining the Tales cast, and the power of using art as a cry for social justice.
So this is your first acting gig, at least on camera. How did it come to you?
Yeah, it is. My agent. That’s all. What I was told was it was an open call, that over 5,000 people auditioned. I was one of them. Lauren Morelli [head writer & show runner] said I was the first person that they saw for it, simply because they had another audition for another show that I had already put on tape. I had done it and a month or so had passed. I thought I didn’t get it, so it was ok. I would keep moving. I was looking into an internship over the summer, and my agent called about a week and a half prior to my moving and said they wanted to see me again. I was living in Chicago at the time, so I flew out to New York to audition again. By the time I flew back, [my agent] said I booked it.
It all happened so fast. Just thinking about it now, it all happened last year around this time, actually. So I mean, I’m really fortunate to have had an agent at the time.
I actually talked to Lauren already. She’s marvelous.
She is amazing.
But she let it slip that she didn’t know Tales of the City before landing the job. Did you know about Tales of the City?
No, I didn’t!
[Laughter]
Went I went in for the audition I did, but when I got the audition I had not. But I knew to do my research, and that’s how I found out about this whole history since the 1970s. It was a whole new world of new information, which I loved. I’m really grateful for it.
So I’m tempted to do a whole biography on you. I can’t find much about you on the web.
Aw, oh no!
I only came to New York for school. I just finished the first semester of my second year. I am originally from Chicago, born and raised. At a random train station, I met a man who eventually became my mentor and invited me to an event. I write poetry, and I had to perform a piece at the event. About a year and a half later, he asked me to be in a piece he was writing and directing with a bunch of kids in the city. So that was sort of how I fell into the theatre. I was 17, I believe.
Garcia with producer/director Alan Poul
Oh wow.
Yeah. So all I really knew prior to coming in was theatre as a radical form of art, as a form of activism and how to conduct social justice through theatre. So yeah, and then it spiraled out into one thing after the next. Moving out here for school was also a surprise. I didn’t think I’d get in. So a year of that, and taking off a semester to do Tales.
So you’re studying at NYU?
Yeah, at Tisch. The studio is called open arts, which focuses a lot more on acting, writing directing, movement, co-writing. Those are all the things we focus on. It’s kind of a collaborative environment.
I’m extremely grateful for everything.
Now Jake, your character, identifies as transgender. You identify as non-binary?
Trans-non-binary.
People are still learning about non-binary identification…
Me too.
So, if you’re comfortable talking about it, how did you come to your identity?
For me personally, my over-all is that I’m queer. I’m just queer, and the rest is up in the air. Once you start getting into specifics, people ask questions and it comes to the point, you know, where you think I don’t owe anyone answers. As long as you’re authentically living as yourself, and you’re happy, you’re comfortable, that’s what’s important. You don’t need anyone else to say, “Yeah, you can do it because you checked off this box.”
Garcia (2nd from left) with May Hong, Christopher Larkin, and Ashley Park
Jake, your character, goes through something gut-wrenching just about as soon as we meet him. How did you handle that as an actor? Were you nervous about playing a role with such high stakes?
I don’t know what this means. I don’t know what it means that it’s coming out this Friday. But I’m always nervous. I’m always worried and overthinking, and I did that the entire time I was on set. More often than not, I had to be reminded that I had a right to be there, that I knew what I was doing, that the casting people didn’t make a mistake. Lauren and Laura did a really wonderful thing. They were so kind. They were just constantly giving me reassurance. A lot of my nerves came from the actual role. Not playing Jake, because I felt like I was just playing myself. Sure, Jake has different mannerisms—all those technical things. But on paper, what he was experiencing, I’ve experienced, which is experimenting with men, how he’s being seen by the world, his relationship, longing to love the person that he’s with, and what that looks like.
So yeah, it was a formidable role, and it was hard a lot of time not to think people are going to see this. But that didn’t come until later after everything was done. Lauren and I have this ongoing joke that this isn’t a real show.
[Laughter]
So we were at the wrap party, and she asked me, “Do you believe it now?” And I was like, maybe. So I have no idea. I think the nerves just come from myself.
You are working with some heavy hitters in this series.
Yeah.
Not just Lauren and Laura, but Olympia Dukakis, Ellen Page, some great actors. Who surprised you the most?
I don’t know. I think they all surprised me in different ways. I, growing up, loved Ellen Page. I loved An American Crime. I loved Juno. And I saw them in that order. I had no idea that they were the same actor. I was like holy sh*t. I was nervous to meet her. You know that quote, “You shouldn’t meet your heroes?” It was the same thing. But Ellen is so kind and so gentle. We hung out. She’s just a normal person.
Laura, my God, she would just take her time. If I was struggling in a scene, she would just sit down with me. She sat down with me more than once, and just the time she took with me. And Olympia, just her honesty and her patience. These are all things people don’t have to do. I thought that when it was all over and we were done filming, that was that. People would go on being famous, and who was I? But that wasn’t the case at all. And everyone was so kind and attentive. And we carried on these relationships, which surprised me.
One of the big questions about the new Tales was how a contemporary audience would view Olympia Dukakis, who is cisgender, playing a transgender woman, even though she’s been doing it for 25 years at this point. Of course, the push at the moment is to hire transgender actors for transgender roles, but that wasn’t the case when Olympia got the part in the 90s. As a trans-non-binary person, what is your feeling?
I didn’t know until episode three! I was like wait a minute, is Olympia..? Because obviously, you don’t know in the audition. Even after the first read, I was blanking. So I asked Lauren. What we were told was that she was grandmothered in, and that makes sense to me. It makes sense to be me because, through the entire process, I didn’t cringe once in anything I ever read about. All the effort that was put in, all the trans people in front of the camera, behind the camera, in the writer’s room, the executive producers—anyone—nobody has bad intentions. And sometimes it’s not about intent, it’s about the effect. I understand that. And maybe some people will be upset. But I would hate for that to be what the focus becomes, and for everything else to be ignored. That’d be missing out on this great thing. And you see flashbacks, where Jen Richards [who is transgender] plays [young Anna]. And it’s not like they took a man and dressed him up like a woman, and that’s something happens constantly throughout history which is ten times more awful.
And the older gays love her. I know people who knew about the series long before I was alive. They wanted [Olympia] to come back. I think that also touches on, within the queer community, the separation between generations. We’re not always going to see eye-to-eye. Maybe that will be one of them. But I was not at all offended. There was nothing there that made me cringe or feel uncomfortable because of all the care that was put into it.
What are your ambitions as an actor? More on camera? More on stage? As a non-binary person, do you want to pursue male and female roles?
I’m terrified that because this is my first role, and because of the character I play, I’m scared that then I will be forever pigeonholed.
Typecasting?
Yeah, that I can only play transmen. So that’s a fear of mine: that I will never be able to play cisgender roles. But, I don’t know if I have any ambitions. I want to finish school. Art and public policy are a big interest of mine. But as an actor, I enjoy theatre. I like on camera. I don’t think I prefer one over the other. I’ve found love in doing both.
Whatever I end up doing, I only want to do it so long as it has some kind of positive impact, and brings about change. I want to contribute to the world in which we’re living.
Today, HRC responded to recent media reports regarding the DC Dyke March and antisemitism.
“The LGBTQ community is as diverse as the fabric of this nation,” said HRC President Chad Griffin. “In pursuit of equality, we must combat anti-Semitism, racism, sexism, xenophobia, Islamophobia and bigotry in all of their forms. At a time of increasing hate violence in the United States, our community spaces must be welcoming and safe for LGBTQ people of all faith backgrounds, including Jewish LGBTQ people.”
Mr. Gorgeous wants to sail away with you on a fabulous cruise to P-town and beyond
Vacaya’s Provincetown cruise kicks off with a performance by Broadway legend Kristin Chenoweth, and the nightly shows onboard will include out comedians Leslie Jordan and Matteo Lane, award-winning Broadway diva Lesli Margherita, various drag comedy sketch shows, and an assortment of burlesque performers including Mr. Gorgeous.
HRC is deeply saddened by the news of the death of Chanel Scurlock, 23, a Black transgender womanfound fatally shot in Lumberton, North Carolina, on June 6.
Robeson County sheriff’s deputies responded to reports of gunfire and found Scurlock’s body in a field, according to The Advocate. Few details are public about the crime, but police told a local news outlet they have “great leads” in their investigation and are “working diligently to bring closure to a grieving family.”
“RIP baby,” wrote a friend on Facebook. “You [lived] your life as you wanted. I’m proud of you for being unapologetically correct about your feelings and expectations of YOU.”
Unfortunately, police and multiple media outlets continue to misgender and misname Scurlock — even after being made aware of her transgender identity. Government agencies, media and others denying someone’s identity is unfortunately emblematic of the callous and disrespectful treatment that transgender individuals too often face in our society. Misgender of transgender victims of violence can also embolden anti-trans violence by reinforcing the prejudice at the heart of the attacks.
We must all work to build a society that fully affirms and embraces the diverse spectrum of all gender identities, especially in light of the alarming violence that disproportionately impacts this community, especially transgender women of color. In the pursuit of accuracy and respect, HRC offers guidelines for journalists and others who report on transgender and gender expansive people.
It is clear that fatal violence disproportionately affects transgender women of color, and that the intersections of racism, transphobia, sexism, biphobia and homophobia conspire to deprive them of necessities to live and thrive.
This epidemic of violence that disproportionately targets transgender people of color — particularly Black transgender women — must cease.
To learn more about HRC’s transgender justice work, visit hrc.org/Transgender.
