GLAAD partners with the Recording Academy, Out magazine, and The Ally Coalition for Grammy week LGBTQ + Voices in Music panel

GLAAD partners with the Recording Academy, Out magazine, and The Ally Coalition for Grammy week LGBTQ + Voices in Music panel

GLAAD Grammys Week Recording Academy panel main
Josh Blanchard for the Grammy Museum

GLAAD partnered with the Recording Academy, Out magazine, and The Ally Coalition for a first-ever of its kind star-packed Grammy week panel titled “Empowered: LGBTQ + Voices in Music.”

The panel, which took place on the Wednesday before the 61st Annual Grammy Awards, included Linda Perry (the first ever woman nominated for a Grammy in the Producer of the Year Non-Classical category), singer VINCINT (FOX’s The Four), producer/songwriter/performer Asiahn, breakout vocalist Shea Diamond, country music CMT breakthrough Brandon Stansell (Hometown), 16-year-old DJ Nhandi Craig (aka DJ Young 1), and ally Dan Reynolds (lead singer of Imagine Dragons and the founder of LOVELOUD).

The discussion was moderated by Recording Academy Editor In Chief of Digital Content & Strategy Justin Dwayne Joseph and Out magazine’s Entertainment and Culture Editor Tre’vell Anderson.

LGBTQ Voices in Music Grammys Panel 1

Linda Perry kicked things off by discussing what it was like living authentically out of the closet in the ’80s and ’90s and her answers had the whole audience laughing. “I’ve always been gay,” she explained. “It’s just who I was. I never ever let it be a problem. There are people like me who have never allowed people to look at me differently. I walked right through those barriers. … when someone pushes you, they’re testing you. Just don’t let people push. You have to stay strong.” 

Grammys week LGBTQ Voices in Music panel 2

When asked about what it means to be an ally, Dan Reynolds spoke about how fully he understands how privileged his life has been and how he feels obligated to make the world a better place for others. “We need allies,” he explained. “Check your reservations at the door. Be educated, but do not be indifferent.” 

Grammys week LGBTQ Voices in Music panel 3

DJ Nhandi, at only 16, brought a level of maturity to the conversation that blew everyone away, speaking about how even though many people in her generation see gender differently, she still sometimes experiences discrimination in school. “I have a lot of family members who are part of the LGBTQ community,” she said. “It was the norm to be accepted. It was the norm to be different.” 

Grammys week LGBTQ + Voices in Music panel

And Shea Diamond spoke about the importance of inclusivity within the community and her experiences as a transgender Black woman in the music industry. As for the future, Diamond says it’s in the hands of Nhandi’s generation. “Nothing can ever get done focusing on older generations,” she said. “I try to focus my energies on the new minds. The youth spread (the message) faster than anyone else.”

VINCINT and Asiahn both spoke about how although they were each respectively pigeonholed at points in their careers, they chose to define themselves rather than allow the industry to define them. 

The audience consisted of high school music students from the LA Unified School District, along with Academy members and other invited guests, all of whom were greeted by a DJ set from Nhandi as they arrived.

DJ Young 1 DJ Nhandi Grammys Week event

Everyone in the crowd, talent and students alike, had a blast exploring the Grammy Museum’s new exhibit honoring 2019 MusiCares Person of the Year, Dolly Parton, while laughing and taking photos on the red carpet. 

LGBTQ Voices in Music red carpet

Be sure to tune into the Grammys this Sunday night at 8 p.m. ET / 5 p.m. PT on CBS and support all of this year’s incredible lineup of LGBTQ nominees and allies

February 7, 2019

www.glaad.org/blog/glaad-partners-recording-academy-out-magazine-and-ally-coalition-grammy-week-lgbtq-voices-music

‘Sesame Street’ Executive: You Want To Think Bert and Ernie Are Gay? OK.

‘Sesame Street’ Executive: You Want To Think Bert and Ernie Are Gay? OK.

The Hollywood Reporter does an amazing 50 year retrospective of Sesame Street and the cultural impact it had.

Says THR: “Bert, Ernie and the gang have won more Emmys — 189 — than any other TV series (and about as many Grammys as Taylor Swift). The show has spawned scads of spin­offs (The Electric Company3-2-1 Contact), home video franchises and even a couple of feature films (including a new one in the works with Anne Hathaway). Since Burnett’s inaugural guest spot, hundreds of A-list visitors have lined up for a chance to banter with its fuzzy cast (Robert De Niro once came on to explain acting to Elmo). And although Sesame Street has never been in the business of making money — Sesame Workshop is a nonprofit — it’s made plenty anyway. The show has generated so many licensing deals over so many decades — 6,500 book titles, 200 hours of home video, 180 albums and hundreds of toys (including the Tickle Me Elmo doll that triggered riots at stores during the 1996 Christmas season) — that not even Count von Count could keep tabs on it all.”

And, of course, still looming large in the cultural ether are those unibrow roommates involved in what looks very much like a healthy, happy same-sex relationship.

“People can think whatever they want [about Bert and Ernie],” says Brown Johnson, Executive VP of Sesame Street Workshop, the nonprofit that produces the show, “You want to think they’re gay? OK. You want to think they’re not gay? They’re not gay.”

As the late, great Stan Lee would say, “’nuff said.”

The post ‘Sesame Street’ Executive: You Want To Think Bert and Ernie Are Gay? OK. appeared first on Towleroad Gay News.


‘Sesame Street’ Executive: You Want To Think Bert and Ernie Are Gay? OK.

Armie Hammer Takes Us Behind The Scenes Of ‘Call Me By Your Name:’ WATCH

Armie Hammer Takes Us Behind The Scenes Of ‘Call Me By Your Name:’ WATCH

The March cover star of British GQ and Call Me By Your Name and tracksuit aficionado Armie Hammer talked to GQ about white privilege in Hollywood, his family’s wealth, and millennial culture.

Here’s an excerpt: Armie on privilege “There are white people who exercise their white privilege with or without knowing it and I would be foolish to sit here and say, ‘Well, that has nothing to do with my career.’ I can’t sit here and say that. But also, people must be aware of the work ethic it takes. I get it. Guys like me have got a lot from being guys like me. Even if white privilege does have anything to do with it, there is a lot of work I put into this.”

Hammer also goes into some depth for the first time about the choice he made not to rely on his family’s wealth. “It was a conversation I had with myself: you can be this person or you cannot. I would rather not. It wasn’t about cutting ties or bonds with my parents or anything like that. It was about strengthening myself.”

In the video below Armie Hammer guides us through the Call Me By Your Name waterfall scene with co-star Timothée Chalamet.

The post Armie Hammer Takes Us Behind The Scenes Of ‘Call Me By Your Name:’ WATCH appeared first on Towleroad Gay News.


Armie Hammer Takes Us Behind The Scenes Of ‘Call Me By Your Name:’ WATCH

‘Andi Mack’s’ Jonathan Hurwitz on writing ‘One in a Minyan’

‘Andi Mack’s’ Jonathan Hurwitz on writing ‘One in a Minyan’

Photo Credit: Disney ABC

Editor’s Note: Jonathan’s piece is referencing Friday, February 8th’s episode of Andi Mack and contains spoilers. Don’t miss “One in a Minyan” Friday, February 8 at 8pm on Disney Channel and join the discussion on social using hashtag #AndiMack!

Writing “One in a Minyan” by Jonathan Hurwitz, Guest Contributor

For this episode of “Andi Mack,” three things needed to happen: Cyrus’ family would sit Shiva after the passing of his beloved Bubbe Rose, Cyrus would discover Jonah having a panic attack, and Cyrus would, at some point, come out to Jonah. As we brainstormed story details for the episode, it became clear to me that one more thing needed to happen: I needed to write this episode! As someone who’s Jewish, has dealt with long-term anxiety, and has come out to his friends and family, I had a very personal stake in this one. So you can imagine how I felt when the story breaking was complete and our showrunner, Terri Minsky, turned to me and asked, “Do you want to write this episode?”

“YES!!!” I said (read: squealed).

This episode soon became a collaboration with Terri, the other writers, and our Disney Channel executives and consultants— all of whom sought to ensure that we treated the portrayal of the Shiva, Jonah’s panic attack, and Cyrus’ coming out with the deepest care and respect.

In the Jewish tradition, Shiva is the ritual period of mourning, which takes place in the house of the bereaved. The challenge here was to respect the gravity of the tradition while simultaneously mining its potential for lightness, humor and positivity. Enter Grandma Hurwitz (hi, Grandma!), who spoke to me at length about our family’s relationship to the tradition, which she views as a celebration of life— simply a time for friends and family to come together in support of one another. Viewers who have never attended a Shiva are able to experience this tradition through the lens of Andi, Buffy and Jonah, all of whom are attending a Shiva for the first time. One of my favorite moments in the episode is when Jonah joins Cyrus in singing the Mourner’s Kaddish. While there’s undeniable comedy in Jonah’s earnest effort to follow along, there’s also palpable emotion as Cyrus, watching Jonah participate, realizes just how lucky he is to have such an eternally supportive friend.

This Cyrus/Jonah moment ultimately led us to the question that interested me the most: “Why does Cyrus feel the need to come out to Jonah?” Because he doesn’t have to. It’s up to Cyrus to decide who he wants to tell (if he even wants to tell anybody), and when. “Coming out” is a choice, an idea that Andi points out to Cyrus. After seeing Jonah show up for him, and witnessing the vulnerability Jonah displays in opening up about his panic attacks, Cyrus realizes that he, too, wants to find the courage to open up.

In the writer’s room, I shared a personal story about how nervous I was to come out to a college friend back in 2010. While grabbing burgers one afternoon, he asked me to pass the ketchup, so I handed him the bottle while mumbling the words, “I’m gay.” He looked up at me, said “Cool,” then proceeded to put ketchup on his burger as if I hadn’t just revealed my most personal, deepest truth. I remember thinking: “That’s it?! After a ten-year journey to come out to myself, I finally come out to my friend and all I get is a ‘Cool?!’” But what I ultimately realized was that my friends and family loved me unconditionally before I’d even learned to truly love myself. With this story in mind, we crafted Cyrus having a similar revelation after coming out to Jonah— who, in truth, seems to be more overwhelmed by what food to choose from the buffet!   In spite of Cyrus’ nerves about telling Buffy, Andi, and now Jonah, he continually underestimates how much people accept him for who he is. No matter how “weird” or “different” he feels (his words from Season One), his friends will always be right by his side, loving and supporting him.

Through Cyrus’ journey both in this episode and the series at large, I hope that audiences understand this— that we’re all worthy of being heard, seen, and loved by the friends and family with whom we surround ourselves. Even when they’re distracted by the gefilte fish.

Jonathan Hurwitz is a writer living in Los Angeles. Most recently, he was the Writer’s Assistant on Disney Channel’s “Andi Mack,” where he received a Writers Guild Award nomination for his episode, “For The Last Time.” He’d like to thank Beyoncé for her continued support.

February 7, 2019
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www.glaad.org/blog/andi-macks-jonathan-hurwitz-writing-one-minyan