29th Annual GLAAD Media Award nominees include outstanding stories about transgender people #glaadawards

29th Annual GLAAD Media Award nominees include outstanding stories about transgender people #glaadawards

GLAAD

Today GLAAD announced the nominees for its 29th Annual GLAAD Media Awards, and 42 of the 125 nominees (and 10 of the 16 nominees in the Spanish-language categories) include outstanding portrayals of transgender people and characters.

Chile’s Oscar submission for Best Foreign Film, A Fantastic Woman (Sony Pictures Classics), is nominated for Outstanding Film – Limited Release. This powerful drama is written and directed by Sebastián Lelio and stars Daniela Vega, a Chilean actress who is a transgender woman. A Fantastic Woman tells the story of Marina, her relationship with her partner Orlando, and her vulnerable journey through grief after his sudden and unexpected death.

The Outstanding Drama Series category includes five shows with trans characters. In its second season, Billions (Showtime) introduced Taylor Mason, a non-binary financial analyst, played by Asia Kate Dillion, an actor who is also non-binary. Fox’s Star currently has the only series regular transgender character on broadcast television, played by trans actress Amiyah Scott. Laverne Cox was a series regular on the CBS legal drama Doubt, in which she played a lawyer who also happened to be transgender. Sense8 (Netflix), created by trans siblings Lana and Lilly Wachowski, features a multi-national cast that includes Jamie Clayton, an actress who is also a trans woman. Jen Richards was featured in the fifth season of Nashville, making her the first out trans actress on the CMT network. Transparent (Amazon) received a fourth consecutive nomination in the Outstanding Comedy Series category for its portrayal of a parent transitioning later in life and the trans women she befriends, played by Alexandra Billings and Trace Lysette, who are trans actors.

In the Outstanding Individual Episode category, the CBS series Pure Genius received a nomination for the episode “Grace,” in which trans actress Jazzmun plays a church leader who brings a young man battling a drug-resistant HIV infection to the clinic for treatment.

Dustin Lance Black’s When We Rise (ABC) received a nomination for Outstanding TV Movie or Limited Series for its dramatization of four decades of fighting for LGBTQ equality in San Francisco. Trans actresses Jazzmun, Ivory Aquino, and Alexandra Grey all starred as real-life trans advocates.

In the newly created Outstanding Kids & Family Programming category, “Chosen Family” from the animated series Danger & Eggs (Amazon), created by out trans producer Shadi Petosky, is one of the nominees.

Nominees for the Outstanding Documentary category include: Gender Revolution: A Journey with Katie Couric (National Geographic), which take a comprehensive look at trans people; Kiki (Sundance Selects) which focuses on the New York Ball scene; “Real Boy” Independent Lens (PBS) is an intimate look at a young trans man and his relationships with his family and friends; and This is Everything: Gigi Gorgeous (YouTube Red), a engaging film about one of the first trans people to develop a large following on YouTube.

In the Outstanding Reality Program category, Survivor: Game Changers (CBS) received a nomination for a season which featured contestant Zeke Smith being outed as a transgender man during a tribal council. I am Jazz (TLC) received its third nomination, along with the recent season of RuPaul’s Drag Race (VH1) in which contestant Peppermint talked about being a trans woman who is also a drag performer.

Five of the nominees for Outstanding Comic Book feature transgender characters: The Backstagers, written by James Tynion IV (BOOM! Studios); Deadman: Dark Mansion of Forbidden Love, written by Sarah Vaughn (DC Comics); Lumberjanes, written by Kat Leyh and Shannon Watters (BOOM! Studios); Quantum Teens are Go, written by Magdalene Visaggio, who is also trans, (Black Mask Comics); and The Woods, written by James Tynion IV (BOOM! Studios).

DJ and producer Honey Dijon is a trans woman of color nominated for Outstanding Music Artist for her album, The Best of Both Worlds (Classic Music Company).

The Bold and The Beautiful (CBS) received an Outstanding Daily Drama nomination for its ongoing story about Maya Avant and her husband Rick Forrester. Leading lady Maya disclosed that she is trans in 2015, was married to her boyfriend by out trans actor Scott Turner Schofield, and started a family via surrogacy, all as her traditional parents struggled to embrace her.

The nominees for Outstanding Talk Show Episode put tackled trans equality head-on. The Opposition with Jordan Klepper (Comedy Central) interviewed Danica Roem, the first out transgender person to be elected to a state legislature. Laverne Cox and Gavin Grimm, the transgender student who battled a Virginia School Board for the right to be treated equally in school, were interviewed on The View (ABC). Two shows were nominated for their coverage of the transgender military ban and its impact: “Laila and Logan Ireland, Transgender Military Couple” on The Ellen DeGeneres Show (syndicated), and “Trans Veterans React to Ban” The Daily Show with Trevor Noah (Comedy Central).

VICE on HBO (HBO) received a nomination for Outstanding TV Journalism – Newsmagazine for its segment “Trans Youth,” which focused on how to support trans youth with competent healthcare. For the Outstanding TV Journalism Segment category, NBC Nightly News with Lester Holt (NBC) and CBS Evening News (CBS) both covered the violence affecting transgender women of color, while “Transgender Rights under Fire in Trump Era” on AM Joy (MSNBC) also received a nod for its coverage of trans issues.

Trans stories were featured in print and online journalism as well. Nominees for Outstanding Magazine Article include: “Beyond ‘He’ or ‘She’: The Changing Meaning of Gender and Sexuality” by Katy Steinmetz (Time), “Free Radical” by Nathan Heller (Vogue), and “Trans, Teen, and Homeless” by Laura Rena Murray (Rolling Stone). The nominee for Outstanding Newspaper Article include “Fearfully and Wonderfully Made: The Journey of a Transgender Man” by Lauren McGaughy (The Dallas Morning News) which tells the story of Trenton Johnson, a 34-year-old Black transgender man living in Dallas and the impact on his life of proposed anti-trans legislation in the Texas.

Two stories about trans people, “‘I Am a Girl Now,’ Sage Smith Wrote. Then She Went Missing.” by Emma Eisenberg (Splinter), and “Meet the Transgender Student Who Fought Discrimination at His Maryland High School (and Won)” by Nico Lang (INTO) are nominated for Outstanding Digital Journalism Article. And three of the nominees for Outstanding Digital Journalism – Multimedia are about trans people and issues: “Made to Model: Trans Beauty in Fashion” (LogoTV.com), “‘This Is How We Win’: Inside Danica Roem’s Historic Victory” by Diana Tourjée (Broadly.Vice.com), and “Transgender Day of Remembrance” by Saeed Jones (AM to DM, BuzzFeed News). Respected trans advocate Monica Roberts received her third nomination for Outstanding Blog for her work on Transgriot, which focuses on issues pertaining to transgender women of color.

For a complete list of nominees, click here

The GLAAD Media Awards recognize and honor media for their fair, accurate and inclusive representations of the lesbian, gay, bisexual, transgender, and queer community and the issues that affect their lives. The GLAAD Media Awards also fund GLAAD’s work to amplify stories from the LGBTQ community and issues that build support for equality and acceptance.

The GLAAD Media Awards ceremonies will be held in Los Angeles on April 12, 2018 at The Beverly Hilton and in New York on May 5 at the New York Hilton Midtown. Find out how you can buy tickets or host a table here.

To receive the latest updates on the GLAAD Media Awards, follow @glaad on Twitter and use the hashtag #glaadawards.

January 19, 2018
Issues: 

www.glaad.org/blog/29th-annual-glaad-media-award-nominees-include-outstanding-stories-about-transgender-people

1988 Cult Classic ‘Heathers’ TV Reboot is Here with a Gender-Queer Twist: TRAILER

1988 Cult Classic ‘Heathers’ TV Reboot is Here with a Gender-Queer Twist: TRAILER
Heathers series

The 1988 cult classic Heathers has been reimagined for 2017 with a few twists, including a switcheroo for the Heather Duke character played then by Shannen Doherty. She’s now a gender-queer male named Heath.

The red band trailer is here for your examination (above).

The Hollywood Reporter noted the show’s changes in August:

The original film, written by Daniel Waters and directed by Michael Lehmann, centered on Veronica (played by Winona Ryder) and her rebel boyfriend J.D. (Christian Slater) and their trials and tribulations dealing with the social order in high school. The updated take, set in the present day, features a new set of popular-yet-evil Heathers — only this time the outcasts have become high school royalty. Heather McNamara (originally played by Lisanne Falk) will be portrayed by Jasmine Mathews; Heather Duke (Shannen Doherty in the film) is a male who identifies as gender-queer whose real name is Heath (Brendan Scannell); and Heather Chandler (originally Kim Walker) has a body like Martha Dumptruck and will be played by Melanie Field. Newcomers James Scully and Grace Victoria Cox star as J.D. and Veronica, respectively. Original Heathers star Doherty guest-stars in the pilot, which was directed by Leslye Headland and written by Jason Micallef.

The show premieres on March 7. Will you be watching?

The post 1988 Cult Classic ‘Heathers’ TV Reboot is Here with a Gender-Queer Twist: TRAILER appeared first on Towleroad.


1988 Cult Classic ‘Heathers’ TV Reboot is Here with a Gender-Queer Twist: TRAILER

Sterbenden Motorradfahrer gefilmt – Gaffer bekommt nur eine Geldstrafe

Sterbenden Motorradfahrer gefilmt – Gaffer bekommt nur eine Geldstrafe
Symbolbild

  • In Heidenheim hat ein Gaffer nach einem Unfall einen sterbenden Motorradfahrer gefilmt und Retter in ihrer Arbeit behindert
  • Jetzt hat ihn ein Gericht zu einer Geldstrafe von 900 Euro verurteilt

Er filmte einen sterbenden Motorradfahrer – jetzt ist der Gaffer mit einer Geldstrafe von 900 Euro davongekommen.

Der entsprechende Strafbefehl gegen den seinerzeit 27-Jährigen ist inzwischen rechtskräftig, wie die Staatsanwaltschaft im baden-württembergischen Ellwangen am Freitag bestätigte.

Täter behinderte die Rettungskräfte

Der Mann hatte den tödlich verletzten Motorradfahrer noch vor dem Eintreffen von Rettungskräften mit seinem Handy gefilmt. Als Helfer eintrafen, behinderte er sie, indem er weiter filmte.

► Erst nach mehrfacher Aufforderung entfernte er sich. Sein Verhalten hatte weithin Empörung ausgelöst.

Aufgrund des öffentlichen Drucks stellte sich der Gaffer einige Tage später der Polizei in Heidenheim, die ihm das Mobiltelefon abnahm.

Gericht berücksichtigte Mittellosigkeit des Täters

Der Sprecher der Anklagebehörde bestätigte Angaben der “Heidenheimer Zeitung”, wonach der Strafbefehl über 60 Tagessätze zu je 15 Euro verhängt wurde.

► Nach Recherchen der Zeitung wurde bei Festsetzung der Geldstrafe berücksichtigt, dass der Täter wohl weitgehend mittellos sei.

Das Strafgesetz sieht für Fälle, in denen die Hilflosigkeit eines Menschen zur Schau gestellt und zudem Einsatzkräfte behindert werden, die Möglichkeit von Freiheitsstrafen bis zu zwei Jahren vor.

Mehr zum Thema: Polizei entsetzt: 94-Jähriger wird Opfer von Orkan “Friederike” – ein Verbrecher nutzt es gnadenlos aus

(sk)

www.huffingtonpost.de/entry/unfall-heidenheim-gaffer-geldstrafe_de_5a620538e4b074ce7a07a97e

Unless We Kick Our Addiction to Growth, We’re Heading Towards A Debt-Fuelled Dystopia

Unless We Kick Our Addiction to Growth, We’re Heading Towards A Debt-Fuelled Dystopia
We can’t sustain infinite economic growth on a finite planet, and it’s increasingly clear that governments’ attempts to do so are having devastating social and environmental consequences. It’s been obvious for decades that our addiction to growth is unsustainable, so why aren’t governments getting the message?

GDP is a crude measure of economic activity. It represents the sum total of all the goods and services being produced in an economy. But it takes no account of those things’ true value, or of the cost of creating them. As Robert Kennedy famously pointed out, it measures cigarette advertising and jails but not “the beauty of our poetry or the strength of our marriages”.

Our determination to maximise growth has led to severe environmental degradation. It’s held us to extract the planet’s resources at an unsustainable rate, and induced a catastrophic increase in carbon emissions.

Nevertheless, it remains the most popular indicator of economic progress. A small uptick in growth is celebrated with fervent enthusiasm, even as more real-world indicators, such as real incomes – continue to stagnate, or household debt – continues to increase.

The growth narrative relies on the belief that “a rising tide lifts all boats” – that growth in the size of an economy increases the opportunities for all citizens.  Some writers have joked that a rising tide lifts only luxury yachts, while all the other vessels sink. As inequality and increasing levels of poverty become too big to hide, ‘inclusive growth’ is a term to ensure growth benefits all – but why do we have to stick to pursuing growth at all costs?

There are several reasons why governments think growth is beneficial and essential, and that if we didn’t focus on it so much there would be significant social and economic problems as a result. Some of the common ones are that growth is necessary to reduce poverty and raise living standards. They’ve been widely debunked, and experts have shown that prioritising growth is an unnecessary – and even an unhelpful way to pursue these objectives.

But while there have been compelling reasons to reject many of these sources of “growth dependency”, one reason clearly is a cause for concern. Since households, businesses and governments are in debt to each other to such a significant extent, the only way to manage these debts is for the economy to grow.

A new report from Positive Money, published on Thursday, proposes two remedies for this last source of growth dependency, both of which involve reforms of the money and banking system upon which the rest of the economy rests.

The main source of money used by citizens is created by banks – over 97%.  Though evenmost MPs aren’t aware of this, banks create new money when they make loans, and through this process, money is created as an IOU, or debt.

The vast majority – about 80% of these loans – go into property and financial markets. Wage decline has resulted in households having to take out more debt just to get by, meaning that in the UK, private debt stands at 219% of GDP. Not only do such high levels of private debt pose serious financial stability risks, but they also fuel the government’s single-track focus on pursuing growth to make these debts manageable.

We could therefore make the power to create money a public good which works to serve society rather than burderning it with more and more debt. This could be done through Sovereign Money Creation, or “quantitative easing (essentially creating new money) for people”.

The Bank of England can create money without increasing public or private sector debt. So rather than using it to continue to create hundreds of billions of pounds to pour into financial markets, as it has done since 2009 through conventional QE, a smaller amount could be created and put straight into the real economy, via investment in green infrastructure or a citizens dividend to wipe out unsustainable debts.

But with some scientists forecasting that catastrophic climate change could be unleashed in a matter of years rather than decades, perhaps we need to be bold enough to also think about more systemic measures. This is why another reform proposed is aSovereign Money System, where private banks would lose their privileges to create money simply by lending. This would pave the way for a new economy, no longer based primarily on endless debt and endless growth.

Such ideas may seem utopian, but as a debt-fuelled dystopia approaches, a world beyond growth dependency is not only necessary, but could be closer than we might think. It is worth remembering that economic growth itself was only introduced as a priority in the second half of the twentieth century. Just as ideas and the systems they produce have been changed before, we too have the power to change them again.

For more content and to be part of HuffPost’s new economy community join our Facebook Group

www.huffingtonpost.co.uk/entry/growth_uk_5a61fa2ce4b074ce7a0793be

HRC Releases Heartbreaking New Video Featuring Dreamer and Sexual Assault Survivor

HRC Releases Heartbreaking New Video Featuring Dreamer and Sexual Assault Survivor

HRC released a powerful new video featuring Yuridia, a 22-year-old queer DACA recipient and sexual violence survivor. It was only after she received DACA that she was able to report her abuser to the police. HRC has repeatedly called on Congress to pass the DREAM Act now to protect young Dreamers like Yuridia.

“It was not until I had DACA that I felt human enough to walk into a police station and report my abuser. And DACA allowed that — for a moment — to allow me to feel a little more deserving in this country,” Yuridia says. “With the DREAM Act, it would mean a whole different life, I think — having lived in the shadows. No more silence on any identity.”

Yadira is part of the immigrant youth-led United We Dream network working to change hearts and minds for the passage of a common-sense, bipartisan DREAM Act. The Deferred Action for Childhood Arrivals program (DACA) was created by the Obama administration in 2012 to protect 800,000 young people who were brought to the U.S. as children, including 75,000 LGBTQ Dreamers. Among those who would be affected by DACA’s rollback are 36,000 LGBTQ recipients. With every day they delay in passing the DREAM Act, lawmakers are putting more and more people at risk of deportation and violence.

www.hrc.org/blog/hrc-releases-heartbreaking-video-featuring-dreamer-and-sexual-assault-survi?utm_source=rss&utm_medium=rss-feed

Trump Appointee Carl Higbie Resigns After Homophobic, Racist, Misogynistic Remarks Surface

Trump Appointee Carl Higbie Resigns After Homophobic, Racist, Misogynistic Remarks Surface
Carl Higbie

Carl Higbie, a former Navy Seal who was appointed by Trump as chief of external affairs for the Corporation for National and Community Service (the agency that runs AmeriCorps) resigned on Thursday after CNN’s KFILE uncovered racist, anti-Muslim, homophobic, and misogynistic remarks made by Higbie on conservative radio shows.

Representing @realDonaldTrump in #blockisland as he’s on message on point #Trump @EricTrump pic.twitter.com/3g6ysQCMdl

— Carl Higbie (@CarlHigbie) August 20, 2016

Some of Higbie’s homophobic remarks can be heard in the clip up top.

CNN reports:

Higbie, a former Navy SEAL and conservative media personality, was a surrogate for Trump during the 2016 presidential campaign, appearing on cable news and serving as the spokesman for the Trump-aligned Great America PAC. He was appointed to the Corporation for National and Community Service (CNCS) in 2017 to direct the public image and messaging of the federal department that manages millions of Americans in volunteer services like AmeriCorps and Senior Corps.

More clips:

The post Trump Appointee Carl Higbie Resigns After Homophobic, Racist, Misogynistic Remarks Surface appeared first on Towleroad.


Trump Appointee Carl Higbie Resigns After Homophobic, Racist, Misogynistic Remarks Surface

Fataler Patzer: Dr. Bob enttarnt Dschungelcamp als Kulisse

Fataler Patzer: Dr. Bob enttarnt Dschungelcamp als Kulisse

  • Heute Abend startet die 13. Staffel des Dschungelcamps
  • Dass dabei einiges nicht so ist, wie es scheint, ist schon seit geraumer Zeit bekannt 
  • Die Aufnahmen im Video oben zeigen, dass das Camp nicht im tiefsten Urwald liegt

Mittlerweile dürfte es weitgehend bekannt sein, dass die RTL-Erfolgsshow “Ich bin ein Star – holt mich hier raus” zwar in Australien gedreht wird, aber nicht – wie RTL gerne behauptet – im tiefsten Urwald, sondern in einem gigantischen künstlichen Areal voller Kameras und Mikrofone.

Natürlich versucht RTL trotz alledem die Kulisse so realistisch wie möglich zu gestalten, um die Illusion von wildem Dschungel aufrecht zu erhalten. Ganz gelang das an Tag 6 der Staffel vor zwei Jahren nicht.

Ein kleiner Patzer mit großen Folgen

Ausgerechnet ein Urgestein des Dschungelcamps, nämlich Dr. Bob, enttarnte im Jahr 2016 den Dschungel als Dekoration.

Vor jeder Dschungelprüfung wird er von den Moderatoren noch einmal herbeigerufen, um den Kandidaten Tipps zu geben. Dabei kommt er meistens recht flott angelaufen und sagt ein paar Zeilen.

Die Zuschauer lieben ihn dafür. In der Folge von Donnerstag riss er bei seinem dynamischen Auftritt eine kleine Palme mit, die so schnell umfiel, dass sie sich eigentlich nur in einem Topf befinden hätte können.

Mehr zum Thema: Jenny Frankhauser geht ins Dschungelcamp – was ihr über sie wissen müsst

Der Patzer war nur ganz kurz im rechten Bildrand zu sehen, doch einigen aufmerksamen Twitter-Usern fiel er auf.

Eine Userin postete ein Video:

Dieser Moment, wenn Dr. Bob die Deko umreißt ? #ibes#ibes2016pic.twitter.com/8AAo4pKSvm

— Toni’s Welt (@Jara_Dea) January 20, 2016

Der dynamische Schritt Dr. Bobs war auch Thema:

Dr. Bob hat ne Palme umgewedelt. So schnell ist der! #ibes

— Natjana Gsell ?? (@natterliek) January 20, 2016

RTL nahm die Panne gelassen, ein Sprecher sagte auf Nachfrage von Focus Online: „Falls da eine Topfpflanze im Weg stand, räumen wir die beim nächsten Mal weg. Nicht, dass sich Dr. Bob noch verletzt“.

Der TV-Sender sieht sich immer wieder mit Vorwürfen konfrontiert, wonach das Dschungelcamp nicht so authentisch ist, wie es vorgibt zu sein.

Mehr zum Thema: Dschungelcamp: So witzig reagiert Kattia Vides auf Brinkmanns Anmache

Die ZDF-Sendung „Frontal 21“ deckte bereits 2008 auf: Der vermeintliche Dschungel ist ein gigantisches Gelände in der Nähe der Kleinstadt Murwillumbah mit künstlich angelegten Seen und Wasserfällen, das von mehreren hundert Rangern bewacht wird.

Der Ex-“Dschungelcamp”-Arbeiter Craig Cutting plauderte in der Sendung zudem aus, dass viele der Pflanzen künstlich in das Lager kamen und einige sogar aus Glasfasern hergestellt wurden. So wohl auch die Pflanze, die Dr. Bob umgeworfen hat.

www.huffingtonpost.de/entry/fataler-patzer-dr-bob-enttarnt-dschungelcamp-als-kulisse_de_5a61e9d6e4b0125fd635df09