Remember Thirty Years Ago When Madonna Was A Huge Movie Star?
There are many, many reasons we will always love Madonna:
• There’s her career-long dedication to kicking ass to help us achieve LGBT equality
• Her influential fashion sense (a blend of downtown thrift store cheekiness and uptown Haute couture chic) has made her one of the great style icons
• She refuses to play by anyone else’s rule book
• Her music (and its accompanying videos) which have provided the soundtrack to a generation of people both queer and straight (seriously!)
Unfortunately, one area where the superstar entertainer hasn’t provided a lot of fulfillment — to either queer or straight people — is in her once-promising acting career. It’s true. There was a time when 26-year-old Madonna, who seemed to combine the effortless sexual allure of Marilyn Monroe with the brassy comic appeal of Bette Midler, was expected to become the next great singer-turned-movie star.
That brief, shining, glorious moment was 1985 and the Susan Seidelman-directed comedy Desperately Seeking Susan was a big hit in movie theaters. The bohemian, opportunistic title character, originally intended for Goldie Hawn, was tailor-made for the newly-anointed Queen of Pop. Fans lined up (the comedy grossed more than $27 million on a $4 million budget — that was impressive in its day) and many critics praised Madonna’s performance and described the character she created as “a Holly Golightly for the 1980s.” Alas, Madonna’s public persona is such a strong one that she’s since had considerable trouble subverting it into another character’s. Remember when she played a missionary in Shanghai Surprise? No? For every film that’s made good use of her skills (think Evita and, um, um… just think Evita), there have been countless other misfires. But so what? Not everyone is meant to be Meryl Streep.
Thirty years have now passed since DSS premiered so naturally a splashy anniversary screening is planned. The event is planned for August 13 at Universal City in Los Angeles, a mere three days before Madge’s 57th, which many (not Queerty employers, unfortch) consider an official work holiday. Can you think of a better way to celebrate? If you’ll be in L.A. and want to attend, note that seats are very limited so you must order tickets here prior to July 30.
Get into the groove with the original trailer for the film below.
Jeremy Kinser
> Energy Secretary Ernest Moniz 
> Calvin Harris is stripped down 
Though Leonard is not among the many characters Lecesne delightfully brings to life over the course of the play’s 75 minutes, a portrait of the fearlessly flamboyant, unfiltered and unselfconscious young teenager emerges as others recount the profound impact he’s had on their lives when they find out he’s gone missing. The point many of them return to is that Leonard never seemed to worry what anybody thought, never tempered his behavior for fear of backlash, or hesitated for any reason to be exactly who he was.
Directed by Tony Speciale with original music by Duncan Sheik, the production is refreshingly simple, with minimal set and props, only the clothes on Lecesne’s back, and a handful of artfully designed projections by Matthew Sandager. The show’s mystery setup draws the audience in from the outset, as does its good-natured humor, and warm depictions of salt-of-the-earth characters.
